"If you only see one show in your entire life, make it Absinthe" - HUFFINGTON POST

Produced by Spiegelworld (Impresario Ross Mollison, President David J. Foster)

"Left me speechless...Cool live music, hot taut bodies, eye-popping feats of grace and muscle".  NEW YORK DAILY NEWS

Produced by Spiegelworld (Impresario Ross Mollison, President David J Foster)

"We hope the good people at the hall are ready for a barrage of masturbation jokes that'll make Igor Stravinsky's 'Concerto No. 69' look like George Gershwin's 'Clean Wholesome Hugs,'" MacFarlane said.   VARIETY

JUNE 27, 2014 - CARNEGIE HALL, NEW YORK

“The truth is a cave in the black mountains. There is one way there, and one only, and that way is treacherous and hard, and if you choose the wrong path you will die alone, on the mountainside.”

Hilarious mind-bending psychodrama which might have been written by Charlie "Being John Malkovich" Kaufman. The writing is truly superb and the performance – or should that be performances? – breathtaking in linguistic and ventriloquistic dexterity. Providing much food for thought, Strassman takes the ancient art of ventriloquism up several notches. Absolute genius. THE LIST, EDINBURGH FRINGE

"ghostly, furious, dreamy, caustic, urgent, exultant, " - THE NEW YORK TIMES

Will it turn out that the great American musical of the early 21st century is an opera born in Britain? A convincing case for the rights to that title was made by the celestial “Jerry Springer: The Opera,” the notorious show from London about the transcendent within tabloid television, when it opened Tuesday night in a gorgeously sung concert version at Carnegie Hall.  -  BEN BRANTLEY, THE NEW YORK TIMES

Producers:  David J. Foster & Jared Geller

Venue:  Carnegie Hall

Date:

The sounds filling the Stephen Sondheim Theater on 43rd Street are not the Broadway melodies you might expect. They are, instead, the happy gurglings and raucous cheers of a thousand reborn inner children romping around a favorite playground. Pee-wee is back, boys and girls! - THE NEW YORK TIMES

his loving song-by-song re-creation of Garland's brilliant concert of April 23, 1961, which became "Judy at Carnegie Hall," the most beloved of all prerock concert albums, was a fabulous stunt. Not even Madonna, pop music's ultimate provocateur, has attempted anything so ambitious.  THE NEW YORK TIMES

“Forget all the other Broadway shows!  See this one!” CNN

“My heart leapt. Elicits gales of giddy laugher and gasps of awe!” THE NEW YORK TIMES

"Dementedly good fun." VANITY FAIR

"The lovable and energetic duo wins big points for getting a rise out of impervious New Yorkers.”  THE NEW YORK TIMES

Irresisitble fun! A new favorite thing!  NEW YORK DAILY NEWS

"the heat and dazzle of great balls of fire" - The New York Times

Kiki & Herb Will Die For You -- Carnegie Hall,  September 2004

Kiki & Herb: Aive on Broadway -- Helen Hayes Theatre, August, 2006

“Absolutely hilarious! . . . Mr. Daisey nails with damning detail, and his often vociferous malice is delicious.”  THE NEW YORK TIMES

Played to a sold-out crowd at Carnegie Hall last night. But whereas most cases of celebrity over-sharing come off as mindless exhibitionism, Smith's divulgences seem generous--a gift to the sizable portion of his audience that takes a near-scholarly interest in Smith's day-to-day activities.  VILLAGE VOICE

My single most enjoyable and memorable experience at Edinburgh 2012 was Suggs: My Life Story in Words and Music, in which the frontman of Madness alternated wildly funny anecdotes, an account of his search for the father he never met, and renditions of his hits. One of the most original and engaging shows I've seen for a long time.  MARK LAWSON, THE GUARDIAN

Kidz Bop was a theatrical rock concert featuring the KidzBop CD series.

"pure theatre and pure fun" - Time